{"title":"MUSIC","description":null,"products":[{"product_id":"live-at-canterbury-house-1967-3lp-180g-black-vinyl","title":"Live at Canterbury House 1967 3LP 180g Black Vinyl","description":"\u003cp\u003e\u003cspan\u003eLIVE AT CANTERBURY HOUSE – 1967 3LP features Mitchell’s entire three-set performance from October 27, 1967. Bob Franke, who was covering Mitchell’s show at Canterbury House for the Michigan Daily while also moonlighting as a doorman at the club, pens the liners for LIVE AT CANTERBURY HOUSE. 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Express\u003c\/strong\u003e\u003c\/em\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eCome 1972, Joni’s singular songwriting talent and poetic gifts were undeniable. Fresh off the back-to-back Platinum-certified releases of 1970’s LADIES OF THE CANYON and 1971’s BLUE — totemic albums whose artfulness and ubiquity would influence generations of songwriters — Joni had grown wary of mounting media scrutiny. Everything from her style choices to romantic partners became the subject of far more gossip column inches than were ever dedicated to the lifestyle minutiae of her male counterparts. \u003c\/p\u003e\r\n\r\n\u003cp\u003eIn response, she had pulled back, announcing an early retirement from the stage in 1970 and moving to the quiet expanses of British Columbia’s Sunshine Coast. It was a fruitful change of scenery. Inspired by her proximity to nature and refreshed by the peaceful seclusion, she began constructing the songs that would become FOR THE ROSES. This respite thrust Mitchell into a remarkably fertile creative period, yielding a run of albums — 1972’s FOR THE ROSES, 1974’s COURT AND SPARK, and 1975’s THE HISSING OF SUMMER LAWNS — that would simultaneously expand and refine the scope of her music. Her adventurous, intricate arrangements and growing formidability as a bandleader injected these songs with a clarity of purpose, a potent muscularity, and a sense of possibility — it is among the most exciting eras of a near peerless career.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThis era comes into even greater focus on JONI MITCHELL ARCHIVES, VOL. 3: THE ASYLUM YEARS (1972-1975). It’s the latest entry in the GRAMMY-winning series exploring the vast untapped archives of rare Joni recordings — a project guided intimately by Joni's own vision and personal touch. The collection begins with an early cut of “Cold Blue Steel And Sweet Fire,” one of two songs (along with “For The Roses”) test-driven during a visit to a Graham Nash David Crosby recording session at Wally Heider’s in Hollywood.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFrom there, you'll be treated to early demos and alternate versions from sessions from FOR THE ROSES, COURT \u0026amp; SPARK, and THE HISSING OF SUMMER LAWNS; historic live show recordings, including the entirety of Mitchell’s triumphant 1972 return to Carnegie Hall and a definitive gig with her COURT AND SPARK backing band Tom Scott \u0026amp; the L.A. Express; and tracks from sessions cut alongside James Taylor, Graham Nash, and Neil Young.\u003c\/p\u003e","brand":"Joni Mitchell","offers":[{"title":"Default Title","offer_id":50819398992175,"sku":"603497834303","price":69.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/5988\/8175\/files\/3-2023-JoniM-ProImage-Archives_Vol3_205_20CD.png?v=1734964805"},{"product_id":"joni-mitchell-archives-vol-4-the-asylum-years-1976-1980-6cd","title":"Joni Mitchell Archives, Vol. 4: The Asylum Years (1976-1980) [6CD]","description":"\u003cp\u003e\u003cstrong\u003eFeatures Unreleased Studio Sessions, Alternate Versions, Live Recordings, Rarities, And 36-Page Book With New Photos \u0026amp; An Extensive Conversation Between Joni \u0026amp; Cameron Crowe\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSourced From Original Stereo Reels, Nagra Film Recordings, Multi-track Tapes, Radio Airchecks \u0026amp; Cassette Tapes\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThroughout the latter half of the seventies, Joni continued to creatively break ground with her fearless and fluid exploration of jazz. Rather than tread the same path, she challenged and reinvented her style with a folk fusion like no other. Ascending to an unrivaled sonic peak, this innovative sound took shape across the gold-certified HEJIRA [1976], the gold-certified double-LP DON JUAN’S RECKLESS DAUGHTER [1977], her collaboration with Charles Mingus entitled MINGUS [1979], and live album SHADOWS AND LIGHT [1980]. Channeling the thrill and excitement of these records, she delves even further into this season on JONI MITCHELL ARCHIVES, VOL. 4: THE ASYLUM YEARS (1976-1980), due October 4th.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAvailable as a 6CD, 4LP (featuring Joni's personal favorites from the 6CD set), and digitally, this comprehensive and essential set spans one of the most prolific periods of her storied career. It boasts powerful live tracks from her time in Bob Dylan’s Rolling Thunder Revue during 1975 and 1976 Tour of the United States. It pulls back the curtain on the music by showcasing early recordings and alternate takes from the respective sessions for HEJIRA, DON JUAN’S RECKLESS DAUGHTER, and MINGUS. It covers the Bread \u0026amp; Roses Festival as well as the Anti-Nuclear Rally. Finally, VOL. 4 chronicles her 1979 tour, even showcasing two tracks from that year’s Tour Rehearsals. Not to mention, it showcases her versatility and adaptability, housing collaborations with everyone from Herbie Hancock and Jaco Pastorious to Wayne Shorter and Pat Metheny.\u003c\/p\u003e\r\n\r\n\u003cp\u003eVol. 4 culls the previously-unissued material from original stereo reels, cassette tapes, CD-Rs, and even a radio broadcast. Newly mixed tracks came from multi-track tapes, while a handful of hi-res digital tracks have been sourced from the Bob Dylan Archives.\u003c\/p\u003e\r\n\r\n\u003cp\u003eEach version includes a book with never-before-seen photos and liner notes comprising a deep dive discussion between Mitchell and longtime friend Cameron Crowe. As part of their candid conversation, she shares intimate anecdotes, memories, and stories from that five-year creative run.\u003c\/p\u003e","brand":"Joni Mitchell","offers":[{"title":"Default Title","offer_id":50819399745839,"sku":"603497823680","price":79.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/5988\/8175\/files\/03-2024-JoniMitchell-ProductImages-01.png?v=1734964816"},{"product_id":"live-at-canterbury-house-1967-3lp-limited-edition-white-vinyl","title":"Live at Canterbury House 1967 3LP Limited Edition White Vinyl","description":"\u003cp\u003e\u003cspan\u003eThis exclusive white vinyl pressing is only available through the Joni Mitchell store and is a limited edition of 1,500 copies.\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003eLIVE AT CANTERBURY HOUSE – 1967 3LP features Mitchell’s entire three-set performance from October 27, 1967. 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Her artistry leaves us, ourselves, changed. She has shifted things around inside us. And that’s how artists change the world.” - Meryl Streep\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAfter THE HISSING OF SUMMER Lawns tour, Joni Mitchell retreated to Neil Young’s beach house to recover. Eager to travel but undecided about a destination, Mitchell was unexpectedly invited on a cross-country road trip with friends. It was one of three road trips she took between 1975 and 1976 and the beginning of a period defined by wanderlust, both in her physical travels and musical exploration. This transformative phase is the focal point of THE ASYLUM ALBUMS (1976-1980), the next release in the Joni Mitchell Archives series.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe new collection showcases Mitchell at her most daring across HEJIRA (1976), DON JUAN’S RECKLESS DAUGHTER (1977), MINGUS (1979), and the live album SHADOWS AND LIGHT (1980). Renowned audio engineer Bernie Grundman remastered all four releases included in this boxed set from the original flat analog master tapes.\u003c\/p\u003e\r\n\r\n\u003cp\u003eDuring this period, Mitchell boldly declared her move from the “hit department” to the “art department.” Critics were slow to catch up, but her creativity was in overdrive. Instead of session aces, she began recording with jazz virtuosos like Larry Carlton and Pat Metheny (guitar), Michael Brecker (saxophone), Herbie Hancock (keyboard), and Don Alias (percussion), as well as several members of Weather Report, including Jaco Pastorius (bass) and Wayne Shorter (saxophone).\u003c\/p\u003e\r\n\r\n\u003cp\u003eHEJIRA stands out as a testament to Mitchell’s artistic evolution. Its subdued instrumentation, coupled with her introspective lyrics, resulted in timeless tracks like “Coyote” and “Furry Sings The Blues” with Young on harmonica. Mitchell once said: “I suppose a lot of people could have written a lot of my other songs, but I feel the songs on Hejira could only have come from me.”\u003c\/p\u003e\r\n\r\n\u003cp\u003eHer journey continued with DON JUAN’S RECKLESS DAUGHTER, a double album of largely experimental music. It included “Paprika Plains,” a side-long piano piece with orchestral arrangements. It found a receptive audience in musical seekers like Bjork, who said the album’s fearless approach later inspired her music.\u003c\/p\u003e\r\n\r\n\u003cp\u003eUltimately, Mitchell’s path led to Mingus, her collaboration with jazz titan Charles Mingus, who wrote several songs for the project. Mingus died shortly before the album was complete, and Mitchell dedicated it to him. Four songs by Mingus with lyrics written by Mitchell appeared on the album, including a version of “Goodbye Pork Pie Hat,” Mingus’ tribute to saxophonist Lester Young, and one of his most famous compositions. In the album’s liner notes, Mitchell said she felt fully immersed in jazz for the first time while making the record. “It was as if I had been standing by a river – one toe in the water – feeling it out – and Charlie came by and pushed me in – ‘sink or swim’…”\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe final entry in THE ASYLUM ALBUMS (1976-1980) is the double live album Shadows and Light. It was Mitchell’s second live album and her last release with Asylum Records. She recorded it during the tour for Mingus in September 1979 at the Santa Barbara Bowl. Except for the performance of her classic song “Woodstock,” the album focused on songs from her most recent albums, like “Amelia,” “Dreamland,” and “The Dry Cleaner From Des Moines.” The Persuasions, a vocal group popular in the 1960s, also appeared on two songs: the title track and a cover of “Why Do Fools Fall In Love.”\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe cover art for THE ASYLUM ALBUMS (1976-1980) includes a portion of one of Mitchell’s original paintings. Fans will enjoy a full version of the whimsically abstract landscape as an accompanying insert included in the album packaging for both the CD and LP configurations. Accompanying the set is a heartfelt essay penned by Oscar-winning actress Meryl Streep, a lifelong fan of Mitchell’s work.\u003c\/p\u003e","brand":"Joni Mitchell","offers":[{"title":"Default Title","offer_id":50819400073519,"sku":"603497827015","price":49.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/5988\/8175\/files\/JoniMitchell_AsylumAlbums_76-80_CD.png?v=1734964820"},{"product_id":"miles-of-aisles-1974-2lp","title":"Miles Of Aisles (1974) 2LP","description":"\u003cp\u003eJoni Mitchell and the L.A. 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Features the Sprawling PAPRIKA PLAINS \u003c\/p\u003e","brand":"Joni Mitchell","offers":[{"title":"Default Title","offer_id":50819404169519,"sku":"603497826698","price":24.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/5988\/8175\/files\/1-2024-JM-ProImage-Don_Juans_Reckless_Daughter_BlackVinyl.png?v=1734964839"},{"product_id":"the-reprise-albums-1968-1971-4cd-box-set-1","title":"The Reprise Albums (1968 - 1971) 4CD Box Set","description":"\u003cp\u003eTHE REPRISE YEARS (1968-1971) 4CD box set features newly remastered versions of Joni Mitchell’s first four studio albums - Song To A Seagull (1968), Clouds (1969), Ladies Of The Canyon (1970), and Blue (1971). In the case of Song To A Seagull, the original mix has been recently updated by Mitchell and mixer Matt Lee. The cover art for THE REPRISE YEARS (1968-1971) features a previously unseen self-portrait Mitchell painted during the time period that was recently rediscovered in one of her old sketchbooks and includes an essay by Grammy winning singer-songwriter Brandi Carlile.\u003c\/p\u003e\n\u003cp\u003eIncludes the Definitive Albums\u003cbr\u003eSONG TO A SEAGULL (1968)\u003cbr\u003eCLOUDS (1969)\u003cbr\u003eLADIES OF THE CANYON (1970)\u003cbr\u003eBLUE (1971)\u003cbr\u003eon 180-Gram Vinyl\u003cbr\u003eRemastered by Bernie Grundman\u003cbr\u003eCover Art by Joni Mitchell\u003cbr\u003eEssay by Brandi Carlile\u003cbr\u003e\u003cbr\u003eDebuting a New Mix for\u003cbr\u003eSONG TO A SEAGULL\u003cbr\u003eOverseen by Mitchell\u003c\/p\u003e","brand":"Joni Mitchell","offers":[{"title":"Default Title","offer_id":50819405447471,"sku":"603497844548","price":49.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/5988\/8175\/files\/jonimitchell_reprise_cd_box_productshot_1_d09f94b4-3300-44b5-85d1-1a9516ba1975.png?v=1734964861"},{"product_id":"the-asylum-albums-1976-1980-6lp","title":"The Asylum Albums (1976-1980) [6LP]","description":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003e“It’s not just the artifact – music and lyrics – that Joni gives us. Her artistry leaves us, ourselves, changed. She has shifted things around inside us. And that’s how artists change the world.” - Meryl Streep\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAfter THE HISSING OF SUMMER Lawns tour, Joni Mitchell retreated to Neil Young’s beach house to recover. Eager to travel but undecided about a destination, Mitchell was unexpectedly invited on a cross-country road trip with friends. It was one of three road trips she took between 1975 and 1976 and the beginning of a period defined by wanderlust, both in her physical travels and musical exploration. This transformative phase is the focal point of THE ASYLUM ALBUMS (1976-1980), the next release in the Joni Mitchell Archives series.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe new collection showcases Mitchell at her most daring across HEJIRA (1976), DON JUAN’S RECKLESS DAUGHTER (1977), MINGUS (1979), and the live album SHADOWS AND LIGHT (1980). Renowned audio engineer Bernie Grundman remastered all four releases included in this boxed set from the original flat analog master tapes.\u003c\/p\u003e\r\n\r\n\u003cp\u003eDuring this period, Mitchell boldly declared her move from the “hit department” to the “art department.” Critics were slow to catch up, but her creativity was in overdrive. Instead of session aces, she began recording with jazz virtuosos like Larry Carlton and Pat Metheny (guitar), Michael Brecker (saxophone), Herbie Hancock (keyboard), and Don Alias (percussion), as well as several members of Weather Report, including Jaco Pastorius (bass) and Wayne Shorter (saxophone).\u003c\/p\u003e\r\n\r\n\u003cp\u003eHEJIRA stands out as a testament to Mitchell’s artistic evolution. Its subdued instrumentation, coupled with her introspective lyrics, resulted in timeless tracks like “Coyote” and “Furry Sings The Blues” with Young on harmonica. Mitchell once said: “I suppose a lot of people could have written a lot of my other songs, but I feel the songs on Hejira could only have come from me.”\u003c\/p\u003e\r\n\r\n\u003cp\u003eHer journey continued with DON JUAN’S RECKLESS DAUGHTER, a double album of largely experimental music. It included “Paprika Plains,” a side-long piano piece with orchestral arrangements. It found a receptive audience in musical seekers like Bjork, who said the album’s fearless approach later inspired her music.\u003c\/p\u003e\r\n\r\n\u003cp\u003eUltimately, Mitchell’s path led to Mingus, her collaboration with jazz titan Charles Mingus, who wrote several songs for the project. Mingus died shortly before the album was complete, and Mitchell dedicated it to him. Four songs by Mingus with lyrics written by Mitchell appeared on the album, including a version of “Goodbye Pork Pie Hat,” Mingus’ tribute to saxophonist Lester Young, and one of his most famous compositions. In the album’s liner notes, Mitchell said she felt fully immersed in jazz for the first time while making the record. “It was as if I had been standing by a river – one toe in the water – feeling it out – and Charlie came by and pushed me in – ‘sink or swim’…”\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe final entry in THE ASYLUM ALBUMS (1976-1980) is the double live album Shadows and Light. It was Mitchell’s second live album and her last release with Asylum Records. She recorded it during the tour for Mingus in September 1979 at the Santa Barbara Bowl. Except for the performance of her classic song “Woodstock,” the album focused on songs from her most recent albums, like “Amelia,” “Dreamland,” and “The Dry Cleaner From Des Moines.” The Persuasions, a vocal group popular in the 1960s, also appeared on two songs: the title track and a cover of “Why Do Fools Fall In Love.”\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe cover art for THE ASYLUM ALBUMS (1976-1980) includes a portion of one of Mitchell’s original paintings. Fans will enjoy a full version of the whimsically abstract landscape as an accompanying insert included in the album packaging for both the CD and LP configurations. Accompanying the set is a heartfelt essay penned by Oscar-winning actress Meryl Streep, a lifelong fan of Mitchell’s work.\u003c\/p\u003e","brand":"Joni Mitchell","offers":[{"title":"Default Title","offer_id":50819406233903,"sku":"603497827022","price":149.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/5988\/8175\/files\/JoniMitchell_AsylumAlbums_76-80_LP.png?v=1734964876"},{"product_id":"live-at-carnegie-hall-1969-3lp-black-vinyl","title":"Live At Carnegie Hall, 1969 – 3LP (Black Vinyl)","description":"\u003cp\u003ePreviously Unreleased,\u003cbr\u003e3LP Set 180 G vinyl\u003cbr\u003eJoni’s debut performance at Carnegie Hall recorded by Reprise in 1969 and mastered by Bernie Grundman\u003cbr\u003eIncludes essay by Graham Nash\u003cbr\u003eLimited Edition of 15,000\u003c\/p\u003e","brand":"Joni Mitchell","offers":[{"title":"Default Title","offer_id":50819406299439,"sku":"603497844517","price":59.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/5988\/8175\/files\/jonimitchell_carnegie_3lp_blackvinyl.jpg?v=1734964878"},{"product_id":"for-the-roses-lp","title":"For the Roses LP","description":"\u003cp\u003e1. Banquet\u003cbr\u003e\r\n2. Cold Blue Steel and Sweet Fire\u003cbr\u003e\r\n3. Barangrill\u003cbr\u003e\r\n4. Lesson in Survival\u003cbr\u003e\r\n5. Let the Wind Carry Me\u003cbr\u003e\r\n6. For the Roses\u003cbr\u003e\r\n7. See You Sometime\u003cbr\u003e\r\n8. Electricity\u003cbr\u003e\r\n9. You Turn Me On I'm a Radio\u003cbr\u003e\r\n10. Blonde in The Bleachers\u003cbr\u003e\r\n11. Woman of Heart and Mind\u003cbr\u003e\r\n12. Judgement of the Moon and Stars (Ludwig's Tune)\u003c\/p\u003e","brand":"Joni Mitchell","offers":[{"title":"Default Title","offer_id":50819406364975,"sku":"0603497841318","price":24.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/5988\/8175\/files\/JoniMitchell_ForTheRoses_1LPBlack.png?v=1734964880"},{"product_id":"joni-mitchell-archives-vol-4-the-asylum-years-1976-1980-4lp","title":"Joni Mitchell Archives, Vol. 4: The Asylum Years (1976-1980) [4LP]","description":"\u003cp\u003e\u003cstrong\u003eFeatures Unreleased Studio Sessions, Alternate Versions, Live Recordings, Rarities, And 36-Page Book With New Photos \u0026amp; An Extensive Conversation Between Joni \u0026amp; Cameron Crowe\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSourced From Original Stereo Reels, Nagra Film Recordings, Multi-track Tapes, Radio Airchecks \u0026amp; Cassette Tapes\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThroughout the latter half of the seventies, Joni continued to creatively break ground with her fearless and fluid exploration of jazz. Rather than tread the same path, she challenged and reinvented her style with a folk fusion like no other. Ascending to an unrivaled sonic peak, this innovative sound took shape across the gold-certified HEJIRA [1976], the gold-certified double-LP DON JUAN’S RECKLESS DAUGHTER [1977], her collaboration with Charles Mingus entitled MINGUS [1979], and live album SHADOWS AND LIGHT [1980]. Channeling the thrill and excitement of these records, she delves even further into this season on JONI MITCHELL ARCHIVES, VOL. 4: THE ASYLUM YEARS (1976-1980), due October 4th.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAvailable as a 6CD, 4LP (featuring Joni's personal favorites from the 6CD set), and digitally, this comprehensive and essential set spans one of the most prolific periods of her storied career. It boasts powerful live tracks from her time in Bob Dylan’s Rolling Thunder Revue during 1975 and 1976 Tour of the United States. It pulls back the curtain on the music by showcasing early recordings and alternate takes from the respective sessions for HEJIRA, DON JUAN’S RECKLESS DAUGHTER, and MINGUS. It covers the Bread \u0026amp; Roses Festival as well as the Anti-Nuclear Rally. Finally, VOL. 4 chronicles her 1979 tour, even showcasing two tracks from that year’s Tour Rehearsals. Not to mention, it showcases her versatility and adaptability, housing collaborations with everyone from Herbie Hancock and Jaco Pastorious to Wayne Shorter and Pat Metheny.\u003c\/p\u003e\r\n\r\n\u003cp\u003eVol. 4 culls the previously-unissued material from original stereo reels, cassette tapes, CD-Rs, and even a radio broadcast. Newly mixed tracks came from multi-track tapes, while a handful of hi-res digital tracks have been sourced from the Bob Dylan Archives.\u003c\/p\u003e\r\n\r\n\u003cp\u003eEach version includes a book with never-before-seen photos and liner notes comprising a deep dive discussion between Mitchell and longtime friend Cameron Crowe. As part of their candid conversation, she shares intimate anecdotes, memories, and stories from that five-year creative run.\u003c\/p\u003e","brand":"Joni Mitchell","offers":[{"title":"Default Title","offer_id":50819406430511,"sku":"603497823697","price":99.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/5988\/8175\/files\/03-2024-JoniMitchell-ProductImages-02.png?v=1734964882"},{"product_id":"joni-mitchell-at-newport-2lp","title":"Joni Mitchell At Newport 2LP","description":"\u003cp\u003e“Mitchell emerged from the side of the stage, swaying smoothly, in fine summer-style with beret and sunglasses. Her good-natured mood instantly set the tone. This performance would be an intimate gathering of friends, not unlike the Joni Jams she’d been hosting in her own living room over the last few years of recovery. Smiling broadly, Mitchell made her surprise appearance, taking her on-stage seat alongside Carlile.\u003cbr\u003e\r\nWithin minutes, the news had rocketed around the globe. Mitchell was back, sparkling with enthusiasm, delivering a tender and passionate set of 13 songs, ending with a joyful sing-along of ‘The Circle Game.’” - Cameron Crowe\u003cbr\u003e\r\n \u003cbr\u003e\r\nJoni stunned the Newport Folk Festival audience last summer when she gave a surprise performance – her first in 20 years – delivering a heartfelt set filled with some of her greatest songs. We're pleased to announce that her triumphant return will be available as AT NEWPORT on July 28th. Along with Joni, it’s been produced by close collaborator Brandi Carlile, and features new liner notes by Cameron Crowe. \u003cbr\u003e\r\n \u003cbr\u003e\r\nJoni was joined on stage at the Newport Folk Festival by a star-studded band led by Carlile, the 9x GRAMMY®-winning singer\/songwriter. Other performers included Carlile’s bandmates Phil and Tim Hanseroth, Wynonna Judd, Marcus Mumford, Celisse, Jess Wolfe and Holly Laessig of Lucius, Taylor Goldsmith of Dawes, and more. \u003cbr\u003e\r\n \u003cbr\u003e\r\nShe delighted the audience, blending her voice with the other singers on stage on classics like “Big Yellow Taxi,” “A Case Of You,” and “Both Sides Now.” For good measure, she even flashed her guitar prowess, playing a solo instrumental version of “Just Like This Train.”\u003cbr\u003e\r\n \u003c\/p\u003e\r\n\r\n\u003cdiv class=\"product-external-media video\"\u003e\r\n\u003cdiv class=\"product-external-media-title\"\u003e\u003cspan style=\"font-size:14px;\"\u003e\u003cb data-stringify-type=\"bold\"\u003eBoth Sides Now from Joni Jam at the 2022 Newport Folk Festival\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\r\n\r\n\u003cdiv class=\"product-external-media-content\"\u003e\u003ciframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/jxiluPSmAF8\" title=\"YouTube video player\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003c\/div\u003e","brand":"Joni Mitchell","offers":[{"title":"Default Title","offer_id":50819406889263,"sku":"603497832088","price":36.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/5988\/8175\/files\/JoniMitchell_AtNewport_2LP_ProductShot_Black.jpg?v=1734964891"},{"product_id":"ladies-of-the-canyon-1970-lp","title":"Ladies Of The Canyon (1970) LP","description":"\u003cp\u003e180 Gram Vinyl\u003cbr\u003e\r\nRemastered by Bernie Grundman under the supervision of Joni Mitchell\u003cbr\u003e\r\nIncludes \"Woodstock\" \u0026amp; \"The Circle Game\"\u003c\/p\u003e","brand":"Joni Mitchell","offers":[{"title":"Default Title","offer_id":50819408953647,"sku":"603497844180","price":24.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/5988\/8175\/files\/3-2023-JoniM-ProImage-Ladies_Of_The_20Canyon.png?v=1734964897"},{"product_id":"early-joni-1963-1lp-180g-black-vinyl","title":"Early Joni - 1963 1LP 180g Black Vinyl","description":"\u003cp\u003e\u003cspan\u003eEARLY JONI – 1963 is a single LP on 180-gram vinyl. Like several of Mitchell’s past albums, the cover for EARLY JONI features a self-portrait and marks her first new art in many years. Barry Bowman was working as a DJ at radio station CFQC in 1963 and provides the liner notes for EARLY JONI.\u003c\/span\u003e\u003c\/p\u003e","brand":"Joni Mitchell","offers":[{"title":"Default Title","offer_id":50819414950191,"sku":"603497846665","price":21.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/5988\/8175\/files\/jonimitchell_1lp_black_4000x4000_576x576_ed6603b0-b78e-4895-84c2-b856e97c1a01.jpg?v=1734964917"},{"product_id":"joni-mitchell-at-newport-digital-download-flac","title":"Joni Mitchell At Newport Digital Download (FLAC)","description":"\u003cp\u003e“Mitchell emerged from the side of the stage, swaying smoothly, in fine summer-style with beret and sunglasses. Her good-natured mood instantly set the tone. This performance would be an intimate gathering of friends, not unlike the Joni Jams she’d been hosting in her own living room over the last few years of recovery. Smiling broadly, Mitchell made her surprise appearance, taking her on-stage seat alongside Carlile.\u003cbr\u003e\r\nWithin minutes, the news had rocketed around the globe. Mitchell was back, sparkling with enthusiasm, delivering a tender and passionate set of 13 songs, ending with a joyful sing-along of ‘The Circle Game.’” - Cameron Crowe\u003cbr\u003e\r\n \u003cbr\u003e\r\nJoni stunned the Newport Folk Festival audience last summer when she gave a surprise performance – her first in 20 years – delivering a heartfelt set filled with some of her greatest songs. We're pleased to announce that her triumphant return will be available as AT NEWPORT on July 28th. Along with Joni, it’s been produced by close collaborator Brandi Carlile, and features new liner notes by Cameron Crowe. \u003cbr\u003e\r\n \u003cbr\u003e\r\nJoni was joined on stage at the Newport Folk Festival by a star-studded band led by Carlile, the 9x GRAMMY®-winning singer\/songwriter. Other performers included Carlile’s bandmates Phil and Tim Hanseroth, Wynonna Judd, Marcus Mumford, Celisse, Jess Wolfe and Holly Laessig of Lucius, Taylor Goldsmith of Dawes, and more. \u003cbr\u003e\r\n \u003cbr\u003e\r\nShe delighted the audience, blending her voice with the other singers on stage on classics like “Big Yellow Taxi,” “A Case Of You,” and “Both Sides Now.” For good measure, she even flashed her guitar prowess, playing a solo instrumental version of “Just Like This Train.”\u003cbr\u003e\r\n \u003c\/p\u003e\r\n\r\n\u003cdiv class=\"product-external-media video\"\u003e\r\n\u003cdiv class=\"product-external-media-title\"\u003e\u003cspan style=\"font-size:14px;\"\u003e\u003cb data-stringify-type=\"bold\"\u003eBoth Sides Now from Joni Jam at the 2022 Newport Folk Festival\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\r\n\r\n\u003cdiv class=\"product-external-media-content\"\u003e\u003ciframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/jxiluPSmAF8\" title=\"YouTube video player\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003c\/div\u003e","brand":"Joni Mitchell","offers":[{"title":"Default Title","offer_id":50819417342255,"sku":"603497832095","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/5988\/8175\/files\/2-2023-JONIM-AlbumResize-2_bc53dbc6-1eb0-42b0-983d-68e0f2ccc020.png?v=1734964926"},{"product_id":"the-asylum-albums-1972-1975-quadio-boxed-set","title":"The Asylum Albums (1972-1975) (Quadio Boxed Set)","description":"\u003cp\u003e\u003cstrong\u003e4 Blu-ray Set Featuring Remastered Hi-Res Stereo, Dolby Atmos mixes by Grammy® Award Winning producer Ken Caillat and Claus Trelby, and Quad Mixes of FOR THE ROSES (1972), COURT AND SPARK (1974), MILES OF AISLES (1974), and THE HISSING OF SUMMER LAWNS (1975). A brand new 2023 Quad Mix of FOR THE ROSES was done by Bruce Botnick.\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cu\u003e\u003cstrong\u003eABOUT THE ASYLUM ALBUMS (1972-1975)\u003c\/strong\u003e\u003c\/u\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eJoni Mitchell was at a turning point 50 years ago. After making four acclaimed albums with Reprise Records, including her 1971 masterpiece BLUE, she left the label to join the brand-new Asylum Records in 1972. Over the next seven years, Mitchell would record some of the most acclaimed music of her career while changing her musical direction by adding more jazz elements into her songwriting. The evolution culminated in 1979 with MINGUS, her collaboration with jazz titan Charles Mingus, and her studio last album for Asylum.\u003cbr\u003e\r\n \u003cbr\u003e\r\nThe cover art for THE ASYLUM ALBUMS (1972-1975) features a previously unseen painting by Mitchell. The set also includes an essay by friend and fellow Canadian Neil Young. He writes: “Joni’s music is so deep and transporting. She comes right from the source. There is no mistaking it…For The Roses, Court And Spark, Miles Of Aisles, and The Hissing Of Summer Lawns…are all classics in my book. I listened to every album as it came out. The musicians she played with were always above my abilities. She had grown from folk to jazz and in between, creating a unique kind of sound that I loved to listen to over and over.”\u003cbr\u003e\r\n \u003cbr\u003e\r\nTHE ASYLUM ALBUMS (1972-1975) follows Mitchell’s musical evolution over four albums as she embraced more jazz-inspired pieces and moved away from the folk and pop of her early years. It includes essential tracks like her first Top 40 hit, “You Turn Me On, I’m A Radio” and her highest-charting (#7) single “Help Me,” plus favorites like “Free Man In Paris,” “Raised On Robbery” and “In France They Kiss On Main Street.”\u003cbr\u003e\r\n \u003cbr\u003e\r\nFOR THE ROSES, which was released 50 years ago this November, was certified gold and added to the Library of Congress’ National Recording Registry in 2007. Court And Spark topped the U.S. album chart and was certified double platinum, making it the best-selling album of Mitchell’s career. It was nominated for multiple Grammy Awards, including Album of the Year, and won Best Arrangement Accompanying Vocalist for “Down To You.”\u003cbr\u003e\r\n \u003cbr\u003e\r\nMILES OF AISLES is a double live album that spotlights the tour for Court And Spark. It reached #2 on the album chart and was certified gold. The Hissing Of Summer Lawns was certified gold as well, peaking at #4 on the album chart and earning a Grammy® Award nomination for Best Female Pop Vocal Performance.\u003c\/p\u003e","brand":"Joni Mitchell","offers":[{"title":"Default Title","offer_id":50819417407791,"sku":"081227817060","price":79.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/5988\/8175\/files\/JomiM_Asylum_72-75_Quadio-min.png?v=1734964928"},{"product_id":"clouds-lp","title":"Clouds LP","description":"\u003cp\u003e180-Gram Vinyl\u003cbr\u003e\r\nNewly Remastered by Bernie Grundman\u003cbr\u003e\r\nUnder the Supervision of Joni Mitchell\u003cbr\u003e\r\nIncludes “Chelsea Morning” and “Both Sides Now”\u003c\/p\u003e","brand":"Joni Mitchell","offers":[{"title":"Default Title","offer_id":50819417932079,"sku":"603497844197","price":24.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/5988\/8175\/files\/R1_6341_603497844197_Joni_Mitchell_Clouds_BlkVinyl.png?v=1734964930"},{"product_id":"live-at-carnegie-hall-1969-3lp-exclusive-white-vinyl","title":"Live At Carnegie Hall, 1969 – 3LP (Exclusive White Vinyl)","description":"\u003cp\u003eThis beautiful limited edition white 3LP is only available in the Joni Mitchell official store. Limited Edition of 3,000.\u003cbr\u003e \u003cbr\u003ePreviously Unreleased\u003cbr\u003e3LP Set 180 G vinyl\u003cbr\u003eJoni’s debut performance at Carnegie Hall recorded by Reprise in 1969 and mastered by Bernie Grundman\u003cbr\u003eIncludes essay by Graham Nash\u003c\/p\u003e","brand":"Joni Mitchell","offers":[{"title":"Default Title","offer_id":50819418456367,"sku":"081227890940","price":59.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/5988\/8175\/files\/jonimitchell_carnegie_3lp_whitevinyl.jpg?v=1734964932"},{"product_id":"archives-vol-2-the-reprise-years-1968-1971-10-lp-set","title":"Archives, Vol 2: The Reprise Years (1968-1971) 10 LP Set","description":"\u003cp\u003e\u003cspan\u003eSide One:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHome Demo\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJoni’s home, late 1967\/early 1968\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRecorded by Joni Mitchell, “The Dawntreader” mixed by Patrick Milligan\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1.       MIDNIGHT COWBOY (version 1)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2.       THE DAWNTREADER (demo with vocal overdub)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e3.       SONG TO A SEAGULL\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e4.       MIDNIGHT COWBOY (version 2)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJane Lurie’s Apartment\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eChelsea, New York City, NY, \u003c\/span\u003e\u003cspan\u003elate 1967\/early 1968\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRecorded by Jane Lurie\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e5.        THE WAY IT IS\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e6.        TURN AROUND (incomplete)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHome Demo\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJoni’s home, late 1967\/early 1968\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRecorded by Joni Mitchell, “I Had A King” and “Roses Blue” mixed by Patrick Milligan\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e7.        I HAD A KING (demo with piano overdub)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSide Two:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1.       ROSES BLUE (demo with peacock harp overdub)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2.       THE FIDDLE AND THE DRUM (piano demo)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSong To A Seagull\u003c\/span\u003e\u003cspan\u003e Session\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSunset Sound, Hollywood, CA, Jan. 24, 1968\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRecorded by Art \u003c\/span\u003e\u003cspan\u003eChryst\u003c\/span\u003e\u003cspan\u003e, mixed by Patrick Milligan\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e3.        JEREMY\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e4.        CONVERSATION \u003c\/span\u003e\u003cspan\u003e(version 1)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e5.        BOTH SIDES NOW\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSide Three:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1.        THE GIFT OF THE MAGI\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJane Lurie’s Apartment\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eChelsea, New York City, NY,\u003c\/span\u003e\u003cspan\u003e early 1968\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRecorded by Jane Lurie\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2.        IT’S EASY\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e3.        Another Melody\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLive at Canterbury House\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAnn Arbor, MI, Mar. 10, 1968\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRecorded by Thomas Root\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e4.        Introduction\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e5.        JEREMY\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e6.        SONGS TO AGING CHILDREN COME\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSide Four:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLive at Le Hibou Coffee House\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOttawa, Ontario, Canada, Mar. 19, 1968\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRecorded by Jimi Hendrix\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st Set\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1.        NIGHT IN THE CITY\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2.        COME TO THE SUNSHINE\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e3.        Intro to The Pirate Of Penance\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e4.        THE PIRATE OF PENANCE\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e5.        CONVERSATION\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e6.        THE WAY IT IS\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e7.        Intro to The Dawntreader\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e8.        THE DAWNTREADER\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSide Five:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2nd Set\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1.        MARCIE\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2.        Intro to Nathan La Franeer\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e3.        NATHAN LA FRANEER\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e4.        Intro to Dr. Junk\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e5.        DR. JUNK\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e6.        Intro to Michael From Mountains\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e7.        MICHAEL FROM MOUNTAINS\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSide Six:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1.        GO TELL THE DRUMMER MAN\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2.        Intro to I Don’t Know Where I Stand\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e3.        I DON’T KNOW WHERE I STAND\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e4.        Intro to Sisotwobell Lane\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e5.        SISOTOWBELL LANE\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e6.        Intro to Ladies Of The Canyon\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e7.        LADIES OF THE CANYON\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSide Seven:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eStudio Session\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWestern Recorders, Hollywood, CA, May 31, 1968\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRecorded by Michael Nemo, mixed by Stanley Johnston\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1.        COME TO THE SUNSHINE\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJane Lurie’s Apartment\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eChelsea, New York City, NY,\u003c\/span\u003e\u003cspan\u003e summer 1968\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRecorded by Jane Lurie\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2.        \u003c\/span\u003e\u003cspan\u003eMy second album\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e3.        Lambert, Hendricks \u0026amp; Ross\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e4.        THE PIRATE OF PENANCE\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTop Gear BBC Radio Broadcast\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePiccadilly Studio 1, London, England, recorded Sep. 23, 1968, broadcast Sep. 29, 1968\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHosted by John Peel, recorded by Bernie Andrews\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e5.        Intro to Chelsea Morning\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e6.        CHELSEA MORNING - with the John Cameron Group\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e7.        Intro to The Gallery\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e8.        THE GALLERY\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e9.        Intro to Night In The City\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e10.      NIGHT IN THE CITY - with the John Cameron Group\u003c\/span\u003e\u003cspan\u003e         \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTHE JOHN CAMERON GROUP: John Cameron: harpsichord, Harold McNair: flute, Tony Carr: drums, Kenny Baldock: bass, Dave Cousins: guitar\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSide Eight:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLive at Carnegie Hall\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNew York City, NY, Feb. 1, 1969\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“Blue Boy” and “Marcie” recorded at Zellerbach Hall, University of California, Berkeley, CA, Feb. 14, 1969\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRecorded by unknown\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st Set\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1.        CHELSEA MORNING\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2.        A Valentine for Joni\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e3.        CACTUS TREE\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e4.        NIGHT IN THE CITY\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e5.        I HAD A KING\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSide Nine: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1.        BLUE BOY\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2.        My American Skirt\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e3.        THE FIDDLE AND THE DRUM\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e4.        Spoony’s Wonderful Adventure\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e5.        THAT SONG ABOUT THE MIDWAY\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e6.        BOTH SIDES NOW\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSide Ten:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2nd Set\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1.         MARCIE\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2.         NATHAN LA FANEER\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e3.         Intro to The Gallery\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e4.         THE GALLERY\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e5.         HUNTER\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e6.         MORNING MORGANTOWN\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSide Eleven:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1.         Intro to Get Together\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2.         GET TOGETHER\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e3.         Intro to The Circle Game\/Little Green\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e4.         MEDLEY: THE CIRCLE GAME\/LITTLE GREEN\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSide Twelve: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEncore\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eMICHAEL FROM MOUNTAINS\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eIntro to Urge For Going\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e3.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eURGE FOR GOING\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eClouds Session\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA\u0026amp;M Studios, Hollywood, CA, Mar. 20, 1969\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRecorded \u0026amp; mixed by Henry Lewy\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e4.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eCONVERSATION \u003c\/span\u003e\u003cspan\u003e(version 2)\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e6.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eBLUE BOY\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSide Thirteen:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eTHE PRIEST\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJane Lurie’s Apartment\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eChelsea, New York City, NY, \u003c\/span\u003e\u003cspan\u003emid 1969\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRecorded by Jane Lurie\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eJESUS\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e3.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003ePlaying piano and vocalizing\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Dick Cavett Show \u003c\/span\u003e\u003cspan\u003eABC TV Broadcast\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTelevision City, New York City, NY, recorded Aug. 18, 1969, broadcast Aug. 19, 1969\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHosted by Dick Cavett, produced by Tony Converse, recorded by Morley Lang\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e4.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eCHELSEA MORNING\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e5.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eWILLY\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e6.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eFOR FREE\u003c\/span\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSide Fourteen:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eInterview\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eTHE FIDDLE AND THE DRUM\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLadies Of The Canyon\u003c\/span\u003e\u003cspan\u003e Demo Session\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA\u0026amp;M Studios, Hollywood, CA, late 1969\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRecorded \u0026amp; mixed by Henry Lewy\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e3.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eWOODSTOCK\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLive at Centennial Auditorium\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSaskatoon, Saskatchewan, Canada, Nov. 1, 1969\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRecorded by unknown\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e4.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eAs I Lie Thinking In My Backyard On August 2nd\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e5.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eROSES BLUE\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e6.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eRAINY NIGHT HOUSE\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSide Fifteen:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLadies Of The Canyon\u003c\/span\u003e\u003cspan\u003e Sessions\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA\u0026amp;M Studios, Hollywood, CA, Jan. 30, 1970\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRecorded by Henry Lewy, mixed by Patrick Milligan\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eLADIES OF THE CANYON (with cellos)\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTeressa Adams: cello, Don Bagley: assistance with cello arrangement\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA\u0026amp;M Studios, Hollywood, CA, Feb. 2, 1970\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRecorded by Henry Lewy, mixed by Patrick Milligan\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eBLUE BOY (with recorder coda)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJim Horn: recorder\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn Concert\u003c\/span\u003e\u003cspan\u003e BBC TV Broadcast\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBBC Television Centre, London, England, recorded Sep. 3, 1970, broadcast May 17, 1971\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProduced by Stanley Dorfman, recorded by Tony Millier\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e3.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eALL I WANT\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBlue\u003c\/span\u003e\u003cspan\u003e Demo Sessions\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA\u0026amp;M Studios, Hollywood, CA, summer 1970\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRecorded \u0026amp; mixed by Henry Lewy\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e4.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eA CASE OF YOU\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e5.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eCALIFORNIA\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSide Sixteen:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGreenpeace Benefit Concert for Amchitka\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePacific Coliseum, Vancouver, British Columbia, Canada, Oct. 16, 1970\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRecorded by Dave Zeffertt\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eIntroduction by James Taylor\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eMEDLEY: BIG YELLOW TAXI\/BONY MORONIE\u003c\/span\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn Concert \u003c\/span\u003e\u003cspan\u003eBBC Radio Broadcast\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eParis Theatre, London England, recorded Oct. 29, 1970, broadcast Dec. 27, 1970\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHosted by John Peel, produced by Jeff Griffin, recorded by John Etchells\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e3.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eIntroduction\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e4.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eTHAT SONG ABOUT THE MIDWAY\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e5.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eIntro to The Gallery\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e6.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eTHE GALLERY\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e7.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eHUNTER\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSide Seventeen:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eIntro to River\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eRIVER\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e3.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eMY OLD MAN\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e4.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eTHE PRIEST\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e5.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eThis is a mountain dulcimer\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e6.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eCAREY\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSide Eighteen\u003c\/span\u003e\u003cspan\u003e: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eA CASE OF YOU – with James Taylor\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eIntro to California – with James Taylor\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e3.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eCALIFORNIA – with James Taylor\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e4.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eIntro to For Free – with James Taylor\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e5.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eFOR FREE – with James Taylor\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSide Nineteen:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eIntro to The Circle Game – with James Taylor\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eTHE CIRCLE GAME – with James Taylor\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e3.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eIntro to You Can Close Your Eyes – with James Taylor\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e4.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eYOU CAN CLOSE YOUR EYES – with James Taylor\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e5.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eBOTH SIDES NOW\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e6.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eIntro to Big Yellow Taxi\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e7.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eBIG YELLOW TAXI\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSide Twenty:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBlue\u003c\/span\u003e\u003cspan\u003e Sessions\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA\u0026amp;M Studios, Hollywood, CA, late 1970\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRecorded by Henry Lewy, mixed by Patrick Milligan\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eHUNTER\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eRIVER – with French horns\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e3.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eURGE FOR GOING – with strings\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRuss Kunkel: drums \u0026amp; percussion, Willie Ruff: French horn, Paul Shure: violin, Sheldon Sanov: violin, Myra Kestenbaum: viola, Edgar Lustgarten: cello\u003c\/span\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAll selections written by Joni Mitchell, except “Get Together” written by Chet Powers, “Bony Moronie” written by Larry Williams, and “You Can Close Your Eyes” written by James Taylor\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAll tracks previously unissued except excerpts of “My American Skirt” and “Spoony’s Wonderful Adventure” which appeared on \u003c\/span\u003e\u003cspan\u003eThe 1969 Warner\/Reprise Record Show,\u003c\/span\u003e\u003cspan\u003e Warner Bros. PRO 336 (1969); and “Medley: Big Yellow Taxi\/Bony Moronie” which appeared on \u003c\/span\u003e\u003cspan\u003eAmchitka: The 1970 Concert That Launched Greenpeace\u003c\/span\u003e\u003cspan\u003e (2009)\u003c\/span\u003e\u003c\/p\u003e","brand":"Joni Mitchell","offers":[{"title":"Default Title","offer_id":50819422322991,"sku":"603497844555","price":249.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/5988\/8175\/files\/jma_vol2_10lp_box_20_281_29.jpg?v=1734964943"},{"product_id":"mingus-2024-remaster-1lp","title":"Mingus (2024 Remaster) [1LP]","description":"\u003cp\u003eMitchell's Mesmerizing Collaboration With the Legendary Charles Mingus. Featuring Herbie Hancock, Wayne Shorter, and Jaco Pastorius. \u003c\/p\u003e","brand":"Joni Mitchell","offers":[{"title":"Default Title","offer_id":50819424649519,"sku":"603497826704","price":24.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/5988\/8175\/files\/1-2024-JM-ProImage-Mingus_BlackVinyl.png?v=1734964950"},{"product_id":"hejira-2024-remaster-1lp","title":"Hejira (2024 Remaster) [1LP]","description":"\u003cp\u003eMitchell's Exquisite Exploration of Love, Longing, and the Open Road. Featuring the Classic Tracks\u003c\/p\u003e","brand":"Joni Mitchell","offers":[{"title":"Default Title","offer_id":50819425698095,"sku":"603497826681","price":24.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/5988\/8175\/files\/1-2024-JM-ProImage-Hejira_BlackVinyl.png?v=1734964953"},{"product_id":"archives-vol-3-the-asylum-years-1972-1975-digital-download","title":"Archives, Vol. 3: The Asylum Years (1972-1975) (Digital Download)","description":"\u003cul\u003e\r\n\t\u003cli\u003e\u003cem\u003e\u003cstrong\u003eNever-Before-Heard Demos, Early \u0026amp; Alternate Versions of Classic Songs, Historical Performances\u003c\/strong\u003e\u003c\/em\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cem\u003e\u003cstrong\u003eSessions With James Taylor, Neil Young \u0026amp; Tom Scott \u0026amp; the L.A. Express\u003c\/strong\u003e\u003c\/em\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eCome 1972, Joni’s singular songwriting talent and poetic gifts were undeniable. Fresh off the back-to-back Platinum-certified releases of 1970’s LADIES OF THE CANYON and 1971’s BLUE — totemic albums whose artfulness and ubiquity would influence generations of songwriters — Joni had grown wary of mounting media scrutiny. Everything from her style choices to romantic partners became the subject of far more gossip column inches than were ever dedicated to the lifestyle minutiae of her male counterparts. \u003c\/p\u003e\r\n\r\n\u003cp\u003eIn response, she had pulled back, announcing an early retirement from the stage in 1970 and moving to the quiet expanses of British Columbia’s Sunshine Coast. It was a fruitful change of scenery. Inspired by her proximity to nature and refreshed by the peaceful seclusion, she began constructing the songs that would become FOR THE ROSES. This respite thrust Mitchell into a remarkably fertile creative period, yielding a run of albums — 1972’s FOR THE ROSES, 1974’s COURT AND SPARK, and 1975’s THE HISSING OF SUMMER LAWNS — that would simultaneously expand and refine the scope of her music. Her adventurous, intricate arrangements and growing formidability as a bandleader injected these songs with a clarity of purpose, a potent muscularity, and a sense of possibility — it is among the most exciting eras of a near peerless career.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThis era comes into even greater focus on JONI MITCHELL ARCHIVES, VOL. 3: THE ASYLUM YEARS (1972-1975). It’s the latest entry in the GRAMMY-winning series exploring the vast untapped archives of rare Joni recordings — a project guided intimately by Joni's own vision and personal touch. The collection begins with an early cut of “Cold Blue Steel And Sweet Fire,” one of two songs (along with “For The Roses”) test-driven during a visit to a Graham Nash David Crosby recording session at Wally Heider’s in Hollywood.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFrom there, you'll be treated to early demos and alternate versions from sessions from FOR THE ROSES, COURT \u0026amp; SPARK, and THE HISSING OF SUMMER LAWNS; historic live show recordings, including the entirety of Mitchell’s triumphant 1972 return to Carnegie Hall and a definitive gig with her COURT AND SPARK backing band Tom Scott \u0026amp; the L.A. Express; and tracks from sessions cut alongside James Taylor, Graham Nash, and Neil Young.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThis download is \u003cstrong\u003eHI RES FLAC ONLY.\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eTo listen to the music on your mobile device:\u003cbr\u003e\r\nStep 1- Download music files on your personal desktop or laptop computer\u003cbr\u003e\r\nStep 2- Unzip the music files\u003cbr\u003e\r\nStep 3- Transfer the unzipped music files to your mobile device\u003cbr\u003e\r\nStep 4- Enjoy the music!\u003cbr\u003e\r\nFLAC files require conversion to ALAC for playback on iTunes. All other digital music players \u0026amp; software support FLAC files in their original format. For a list of compatible digital music playback software, please visit: Apple.com\/us\/search\/alac.\u003c\/p\u003e","brand":"Joni Mitchell","offers":[{"title":"Default Title","offer_id":50819428319535,"sku":"603497834327","price":59.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/5988\/8175\/files\/3-2023-JoniM-ProImage-Archives_Vol3.png?v=1734964962"},{"product_id":"the-asylum-albums-1972-1975-5lp","title":"The Asylum Albums (1972-1975) [5LP]","description":"\u003cp\u003e180-Gram Vinyl,  Limited Edition Of 20,000\u003cbr\u003e\r\n \u003cbr\u003e\r\nJoni Mitchell was at a turning point 50 years ago. After making four acclaimed albums with Reprise Records, including her 1971 masterpiece Blue, she left the label to join the brand-new Asylum Records in 1972. Over the next seven years, Mitchell would record some of the most acclaimed music of her career while changing her musical direction by adding more jazz elements into her songwriting. The evolution culminated in 1979 with Mingus, her collaboration with jazz titan Charles Mingus, and her studio last album for Asylum.\u003cbr\u003e\r\n \u003cbr\u003e\r\nExplore the beginning of that prolific era with THE ASYLUM ALBUMS (1972-1975), the next installment in the Joni Mitchell Archives series. The collection features newly remastered versions of FOR THE ROSES (1972), COURT AND SPARK (1974), the double live album MILES OF AISLES (1974), and THE HISSING OF SUMMER LAWNS (1975). All four were recently remastered by Bernie Grundman.\u003cbr\u003e\r\n \u003cbr\u003e\r\nThe cover art for THE ASYLUM ALBUMS (1972-1975) features a previously unseen painting by Mitchell. The set also includes an essay by friend and fellow Canadian Neil Young. He writes: “Joni’s music is so deep and transporting. She comes right from the source. There is no mistaking it…For The Roses, Court And Spark, Miles Of Aisles, and The Hissing Of Summer Lawns…are all classics in my book. I listened to every album as it came out. The musicians she played with were always above my abilities. She had grown from folk to jazz and in between, creating a unique kind of sound that I loved to listen to over and over.”\u003cbr\u003e\r\n \u003cbr\u003e\r\nTHE ASYLUM ALBUMS (1972-1975) follows Mitchell’s musical evolution over four albums as she embraced more jazz-inspired pieces and moved away from the folk and pop of her early years. It includes essential tracks like her first Top 40 hit, “You Turn Me On, I’m A Radio” and her highest-charting (#7) single “Help Me,” plus favorites like “Free Man In Paris,” “Raised On Robbery” and “In France They Kiss On Main Street.”\u003cbr\u003e\r\n \u003cbr\u003e\r\nFOR THE ROSES, which was released 50 years ago this November, was certified gold and added to the Library of Congress’ National Recording Registry in 2007. Court And Spark topped the U.S. album chart and was certified double platinum, making it the best-selling album of Mitchell’s career. It was nominated for multiple Grammy Ò Awards, including Album of the Year, and won Best Arrangement Accompanying Vocalist for “Down To You.”\u003cbr\u003e\r\n \u003cbr\u003e\r\nMILES OF AISLES is a double live album that spotlights the tour for Court And Spark. It reached #2 on the album chart and was certified gold. The Hissing Of Summer Lawns was certified gold as well, peaking at #4 on the album chart and earning a Grammy Award nomination for Best Female Pop Vocal Performance.\u003cbr\u003e\r\n \u003cbr\u003e\r\nAll pre-orders will receive an exclusive, limited edition 7” x 10” of the painting on the cover of the box.\u003c\/p\u003e","brand":"Joni Mitchell","offers":[{"title":"Default Title","offer_id":50819430089007,"sku":"603497841356","price":124.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/5988\/8175\/files\/01_JoniMitchell_Asylum1_Albums_Box_ProductShot.png?v=1734964982"},{"product_id":"joni-mitchell-archives-vol-1-the-early-years-1963-1967-5cd","title":"Joni Mitchell Archives – Vol.1: The Early Years (1963-1967) 5CD","description":"\u003cp\u003eJONI MITCHELL ARCHIVES VOL. 1: THE EARLY YEARS (1963-1967) features nearly six hours of unreleased home, live, and radio recordings that flow chronologically to paint a rich portrait of Mitchell’s rapid growth as a performer and songwriter during the period leading up to her debut album. This treasure trove of unheard audio includes 29 original Mitchell compositions that have never been released before with her vocals.\u003c\/p\u003e\r\n\u003cp\u003eThis 5CD collection includes a 40-page booklet that features many unseen photos from Mitchell’s personal collection as well as new liner notes featuring conversations between writer\/filmmaker Cameron Crowe and Mitchell, who recently spent a couple of Sunday afternoons together discussing her archives. Crowe will continue to provide liners for future releases in the series.\u003c\/p\u003e\r\n\u003cp\u003eThrough a wealth of unreleased live performances, home recordings, and radio broadcasts, ARCHIVES VOL. 1 brings into focus the period when Mitchell was finding her voice artistically. It shows her moving away from the folk standards of her early days (“John Hardy” and “House Of The Rising Sun”) and starting to write and sing her own songs (“Day After Day” and “Urge For Going.”)\u003c\/p\u003e\r\n\u003cp\u003eARCHIVES VOL. 1 reveals just how prolific a songwriter Mitchell was at the time. In addition to early versions of songs that would appear on Song To A Seagull (“Michael From Mountains” and “I Had A King”), the set also features songs destined for later albums: “Chelsea Morning”  “Both Sides Now” (Clouds, 1969); “The Circle Game” (Ladies of the Canyon, 1970); and “Little Green” (Blue, 1971).\u003c\/p\u003e\r\n\u003cp\u003eMore than a just historic document, these recordings crackle with energy thanks to a vibrant and enchanting Mitchell. On many, you can hear her turning  tuning her guitar and telling a story about the song before playing it. That includes her rare 1967 cover of Neil Young’s “Sugar Mountain,” a song she says inspired her to write “The Circle Game.”\u003c\/p\u003e\r\n\u003cp\u003eThe collection begins in 1963 with her earliest-known recording as a 19-year-old Mitchell performs at CFQC AM, a radio station in her hometown of Saskatoon, Saskatchewan. The box culminates with a stirring, three-set 1967 nightclub performance recorded at the Canterbury House in Ann Arbor, Michigan.\u003c\/p\u003e","brand":"Joni Mitchell","offers":[{"title":"Default Title","offer_id":50819430154543,"sku":"603497849963","price":64.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/5988\/8175\/files\/jonimitchell_5cd_box_expanded_4000x4000_d00ae666-11b7-4703-a6ae-8bbbc0e158cc_576x576_1.jpg?v=1734964983"},{"product_id":"morning-glory-on-the-vine-early-songs-and-drawings-by-joni-mitchell","title":"Morning Glory on the Vine - Early Songs and Drawings by Joni Mitchell","description":"\u003ctable style=\"width: 485px;\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\"\u003e\u003ctbody\u003e\u003ctr\u003e\u003ctd class=\"xl65\" width=\"485\" height=\"525\"\u003eA gorgeous compendium of Joni Mitchell's handwritten lyrics and watercolor paintings, originally handcrafted as a gift for a select group of friends in 1971 and now available to the public for the first time.\u003cbr\u003e \u003cbr\u003e In 1971, as her album Blue topped charts around the world, Joni Mitchell crafted one hundred copies of Morning Glory on the Vine as a holiday gift for her closest friends. For this stunningly beautiful book, Joni hand-wrote an exquisite selection of her own lyrics and poems and illustrated them with more than thirty of her original paintings and watercolors. Hand-crafted, signed, and numbered in Los Angeles, the existing copies of this labor of love have rarely been seen in the past half-century.\u003cbr\u003e \u003cbr\u003e Now, as Joni celebrates her seventy-fifth birthday, Morning Glory on the Vine: Early Songs and Drawings is available widely for the first time. In this faithfully reproduced facsimile edition, Joni's best-loved lyrics and poems spill across the pages in her own elegant script. The lively, full-color watercolor paintings depict a superb array of landscapes, still-lifes, portraits of friends, self portraits, innovative abstractions, and more. All the paintings from the original book are included, along with several additional works that Joni had intended to include for her friends in 1971. Finally, the refreshed volume features an original introduction written by Joni herself. Morning Glory on the Vine is a gorgeous and intimate keepsake and an invitation to explore anew the dazzling, visionary world of Joni Mitchell.\u003c\/td\u003e\u003c\/tr\u003e\u003c\/tbody\u003e\u003c\/table\u003e","brand":"Joni Mitchell","offers":[{"title":"Default Title","offer_id":50819430351151,"sku":"081227915827","price":40.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/5988\/8175\/files\/joni_book.jpg?v=1734964988"},{"product_id":"the-hissing-of-summer-lawns-1975-lp","title":"The Hissing Of Summer Lawns (1975) LP","description":"\u003cp\u003e180 Gram Vinyl\u003cbr\u003e\r\nRemastered by Bernie Grundman under the supervision of Joni Mitchell\u003cbr\u003e\r\nIncludes \"In France They Kiss On Main Street,\" \"Edith And The Kingpin,\" and \"The Jungle Line\"\u003c\/p\u003e","brand":"Joni Mitchell","offers":[{"title":"Default Title","offer_id":50819431530799,"sku":"603497841349","price":24.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/5988\/8175\/files\/3-2023-JoniM-ProImage-HissingSummerLawns.png?v=1734965011"},{"product_id":"shadows-and-light-2024-remaster-2lp","title":"Shadows and Light (2024 Remaster) [2LP]","description":"\u003cp\u003eMitchell's Spellbinding Live Journey Through Her Timeless Classics. Featuring a Star-Studded Band Including Jaco Pastorius, Pat Metheny, and Michael Brecker.\u003c\/p\u003e","brand":"Joni Mitchell","offers":[{"title":"Default Title","offer_id":50819431792943,"sku":"603497826711","price":24.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/5988\/8175\/files\/1-2024-JM-ProImage-Shadows_Light_BlackVinyl.png?v=1734965017"},{"product_id":"archives-vol-2-the-reprise-years-1968-1971-5-cd-set","title":"Archives, Vol 2: The Reprise Years (1968-1971) 5 CD Set","description":"\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eCD #1\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003col\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eMidnight Cowboy (Home Demo 1)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eThe Dawntreader (Home Demo With Vocal Overdub)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eSong To a Seagull (Home Demo)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eMidnight Cowboy (Home Demo 2)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eThe Way It Is (Chelsea Recording)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eTurn Around (Incomplete Chelsea Recording)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eI Had A King (Home Demo With Piano Overdub)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eThe Fiddle and the Drum (Piano Home Demo)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eRoses Blue (Home Demo With Peacock Harp Overdub)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eJeremy (Song to a Seagull Session)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eConversation (Song to a Seagull Session)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eBoth Sides Now (Song to a Seagull Session)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eThe Gift of the Magi (Song to a Seagull Session)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eIt’s Easy (Chelsea Recording)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eAnother Melody (Chelsea Recording)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eIntroduction (Live at Canterbury House, Ann Arbor, MI, 3\/10\/1968)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eJeremy (Live at Canterbury House, Ann Arbor, MI, 3\/10\/1968)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eSongs To Aging Children Come (Live at Canterbury House, Ann Arbor, MI, 3\/10\/1968)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ol\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eCD #2\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003col\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eNight In The City (Live at Le Hibou Coffee House, Ottawa, Ontario, 3\/19\/1968)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eCome To The Sunshine (Live at Le Hibou Coffee House, Ottawa, Ontario, 3\/19\/1968\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eIntro To The Pirate Of Penance (Live at Le Hibou Coffee House, Ottawa, Ontario, 3\/19\/1968)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eThe Pirate Of Penance (Live at Le Hibou Coffee House, Ottawa, Ontario, 3\/19\/1968)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eIntro to Conversation (Live at Le Hibou Coffee House, Ottawa, Ontario, 3\/19\/1968)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eConversation (Live at Le Hibou Coffee House, Ottawa, Ontario, 3\/19\/1968)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eThe Way It Is (Live at Le Hibou Coffee House, Ottawa, Ontario, 3\/19\/1968)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eIntro To The Dawntreader (Live at Le Hibou Coffee House, Ottawa, Ontario, 3\/19\/1968)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eThe Dawntreader (Live at Le Hibou Coffee House, Ottawa, Ontario, 3\/19\/1968)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eMarcie (Live at Le Hibou Coffee House, Ottawa, Ontario, 3\/19\/1968)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eIntro To Nathan La Franeer (Live at Le Hibou Coffee House, Ottawa, Ontario, 3\/19\/1968)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eNathan La Franeer (Live at Le Hibou Coffee House, Ottawa, Ontario, 3\/19\/1968)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eIntro To Dr. Junk (Live at Le Hibou Coffee House, Ottawa, Ontario, 3\/19\/1968)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eDr. Junk (Live at Le Hibou Coffee House, Ottawa, Ontario, 3\/19\/1968)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eIntro To Michael From Mountains (Live at Le Hibou Coffee House, Ottawa, Ontario, 3\/19\/1968)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eMichael From Mountains (Live at Le Hibou Coffee House, Ottawa, Ontario, 3\/19\/1968\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eGo Tell The Drummer Man (Live at Le Hibou Coffee House, Ottawa, Ontario, 3\/19\/1968)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eIntro To I Don't Know Where I Stand (Live at Le Hibou Coffee House, Ottawa, Ontario, 3\/19\/1968)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eI Don't Know Where I Stand (Live at Le Hibou Coffee House, Ottawa, Ontario, 3\/19\/1968)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eIntro To Sisotowbell Lane (Live at Le Hibou Coffee House, Ottawa, Ontario, 3\/19\/1968)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eSisotowbell Lane (Live at Le Hibou Coffee House, Ottawa, Ontario, 3\/19\/1968)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eIntro To Ladies Of The Canyon (Live at Le Hibou Coffee House, Ottawa, Ontario, 3\/19\/1968)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eLadies Of The Canyon (Live at Le Hibou Coffee House, Ottawa, Ontario, 3\/19\/1968)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eCome To The Sunshine (Studio Session)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003e\"My second album\" (Chelsea Recording)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003e\"Lambert, Hendricks \u0026amp; Ross\" (Chelsea Recording)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eThe Pirate Of Penance (Chelsea Recording)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eIntro To Chelsea Morning: John Peel (Live on Top Gear, BBC Radio, London, England, 9\/23\/1968)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eChelsea Morning (with The John Cameron Group) [Live on Top Gear, BBC Radio, London, England, 9\/23\/19\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eIntro To The Gallery: John Peel (Live on Top Gear, BBC Radio, London, England, 9\/23\/1968)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eThe Gallery (Live on Top Gear, BBC Radio, London, England, 9\/23\/1968)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eIntro To Night In The City: John Peel (Live on Top Gear, BBC Radio, London, England, 9\/23\/1968)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003e\u003cspan style=\"color:#444444\"\u003eNight In The City (with The John Cameron Group) [Live on Top Gear, BBC Radio, London, England, 9\/23\/1968)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ol\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eCD #4\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003col\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eIntro To Urge For Going (Live at Carnegie Hall, New York, NY, 2\/1\/1969)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eUrge For Going (Live at Carnegie Hall, New York, NY, 2\/1\/1969)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eConversation (Clouds Session)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eBlue Boy (Clouds Session)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eThe Priest (Clouds Session)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eJesus (Chelsea Recording)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003ePlaying Piano And Vocalizing (Chelsea Recording)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eChelsea Morning (Live on The Dick Cavett Show, New York, NY, 8\/18\/1969)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eWilly (Live on The Dick Cavett Show, New York, NY, 8\/18\/1969\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eFor Free (Live on The Dick Cavett Show, New York, NY, 8\/18\/1969)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eInterview (with Dick Cavett) [Live on The Dick Cavett Show, New York, NY, 8\/18\/1969]\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eThe Fiddle And The Drum (Live on The Dick Cavett Show, New York, NY, 8\/18\/1969)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eWoodstock (Ladies Of The Canyon Sessions Demo)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003e\"As I Lie Thinking In My Backyard On August 2nd...\" (Live at Centennial Auditorium, Saskatoon, Saska\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eRoses Blue (Live at Centennial Auditorium, Saskatoon, Saskatchewan, 11\/1\/1969)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eRainy Night House (Live at Centennial Auditorium, Saskatoon, Saskatchewan, 11\/1\/1969)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eLadies Of The Canyon (With Cellos) [Ladies Of The Canyon Sessions]\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eBlue Boy (With Recorder Coda) [Ladies Of The Canyon Sessions]\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eAll I Want (Live on In Concert, BBC, London, England, 9\/3\/1970)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eA Case Of You (Blue Sessions Demo)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eCalifornia (Blue Sessions Demo)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eIntroduction By James Taylor (Live at Pacific Coliseum, Vancouver, BC, 10\/16\/1970)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003e\u003cspan style=\"color:#444444\"\u003eMedley: Big Yellow Taxi\/Bony Moronie (Live at Pacific Coliseum, Vancouver, BC, 10\/16\/1970)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ol\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eCD #5 \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003col\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eIntroduction - John Peel (Live on In Concert, BBC, Paris Theatre, London, England, 10\/29\/1970)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eThat Song About The Midway (Live on In Concert, BBC, Paris Theatre, London, England, 10\/29\/1970)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eIntro To The Gallery (Live on In Concert, BBC, Paris Theatre, London, England, 10\/29\/1970)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eThe Gallery (Live on In Concert, BBC, Paris Theatre, London, England, 10\/29\/1970)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eHunter (Live on In Concert, BBC, Paris Theatre, London, England, 10\/29\/1970)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eIntro To River (Live on In Concert, BBC, Paris Theatre, London, England, 10\/29\/1970)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eRiver (Live on In Concert, BBC, Paris Theatre, London, England, 10\/29\/1970)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eMy Old Man (Live on In Concert, BBC, Paris Theatre, London, England, 10\/29\/1970)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eThe Priest (Live on In Concert, BBC, Paris Theatre, London, England, 10\/29\/1970)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\"This is a mountain dulcimer\" (Live on In Concert, BBC, Paris Theatre, London, England, 10\/29\/1970)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eCarey (Live on In Concert, BBC, Paris Theatre, London, England, 10\/29\/1970)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eA Case Of You (with James Taylor) [Live on In Concert, BBC, Paris Theatre, London, England, 10\/29\/19\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eIntro To California (with James Taylor) [Live on In Concert, BBC, Paris Theatre, London, England\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eCalifornia (with James Taylor) [Live on In Concert, BBC, Paris Theatre, London, England, 10\/29\/1970]\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eIntro To For Free (with James Taylor) [Live on In Concert, BBC, Paris Theatre, London, England, 10\/29\/1970\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eFor Free (with James Taylor) [Live on In Concert, BBC, Paris Theatre, London, England, 10\/29\/1970]\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eIntro To The Circle Game (with James Taylor) [Live on In Concert, BBC, Paris Theatre, London, England\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eThe Circle Game (with James Taylor) [Live on In Concert, BBC, Paris Theatre, London, England, 10\/29\/1970\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eIntro To You Can Close Your Eyes (with James Taylor) [Live on In Concert, BBC, Paris Theatre, London\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eYou Can Close Your Eyes (with James Taylor) [Live on In Concert, BBC, Paris Theatre, London, England\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eBoth Sides Now (Live on In Concert, BBC, Paris Theatre, London, England, 10\/29\/1970)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eIntro To Big Yellow Taxi (Live on In Concert, BBC, Paris Theatre, London, England, 10\/29\/1970)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eBig Yellow Taxi (Live on In Concert, BBC, Paris Theatre, London, England, 10\/29\/1970)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eHunter (Blue Sessions)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eRiver (With French Horns) [Blue Sessions]\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eUrge For Going (With Strings) [Blue Sessions]\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ol\u003e","brand":"Joni Mitchell","offers":[{"title":"Default Title","offer_id":50819432153391,"sku":"603497844524","price":64.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/5988\/8175\/files\/jma_vol2_5cd_box_1.jpg?v=1734965024"},{"product_id":"the-asylum-albums-1972-1975-4cd-1","title":"The Asylum Albums (1972-1975) [4CD]","description":"\u003cp\u003eJoni Mitchell was at a turning point 50 years ago. After making four acclaimed albums with Reprise Records, including her 1971 masterpiece Blue, she left the label to join the brand-new Asylum Records in 1972. Over the next seven years, Mitchell would record some of the most acclaimed music of her career while changing her musical direction by adding more jazz elements into her songwriting. The evolution culminated in 1979 with Mingus, her collaboration with jazz titan Charles Mingus, and her studio last album for Asylum.\u003cbr\u003e\r\n \u003cbr\u003e\r\nExplore the beginning of that prolific era with THE ASYLUM ALBUMS (1972-1975), the next installment in the Joni Mitchell Archives series. The collection features newly remastered versions of FOR THE ROSES (1972), COURT AND SPARK (1974), the double live album MILES OF AISLES (1974), and THE HISSING OF SUMMER LAWNS (1975). All four were recently remastered by Bernie Grundman.\u003cbr\u003e\r\n \u003cbr\u003e\r\nThe cover art for THE ASYLUM ALBUMS (1972-1975) features a previously unseen painting by Mitchell. The set also includes an essay by friend and fellow Canadian Neil Young. He writes: “Joni’s music is so deep and transporting. She comes right from the source. There is no mistaking it…For The Roses, Court And Spark, Miles Of Aisles, and The Hissing Of Summer Lawns…are all classics in my book. I listened to every album as it came out. The musicians she played with were always above my abilities. She had grown from folk to jazz and in between, creating a unique kind of sound that I loved to listen to over and over.”\u003cbr\u003e\r\n \u003cbr\u003e\r\nTHE ASYLUM ALBUMS (1972-1975) follows Mitchell’s musical evolution over four albums as she embraced more jazz-inspired pieces and moved away from the folk and pop of her early years. It includes essential tracks like her first Top 40 hit, “You Turn Me On, I’m A Radio” and her highest-charting (#7) single “Help Me,” plus favorites like “Free Man In Paris,” “Raised On Robbery” and “In France They Kiss On Main Street.”\u003cbr\u003e\r\n \u003cbr\u003e\r\nFOR THE ROSES, which was released 50 years ago this November, was certified gold and added to the Library of Congress’ National Recording Registry in 2007. Court And Spark topped the U.S. album chart and was certified double platinum, making it the best-selling album of Mitchell’s career. It was nominated for multiple GrammyÒ Awards, including Album of the Year, and won Best Arrangement Accompanying Vocalist for “Down To You.”\u003cbr\u003e\r\n \u003cbr\u003e\r\nMILES OF AISLES is a double live album that spotlights the tour for Court And Spark. It reached #2 on the album chart and was certified gold. The Hissing Of Summer Lawns was certified gold as well, peaking at #4 on the album chart and earning a Grammy Award nomination for Best Female Pop Vocal Performance.\u003cbr\u003e\r\n \u003cbr\u003e\r\nAll pre-orders will receive an exclusive, limited edition 7” x 10” of the painting on the cover of the box.\u003c\/p\u003e","brand":"Joni Mitchell","offers":[{"title":"Default Title","offer_id":50819433005359,"sku":"603497840960","price":49.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/5988\/8175\/files\/Slipcase_20Cover_JoniMitchell_AsylumAlbums_1_CD_Cover_aa767f7c-c61c-4b19-bb17-732f78cff3da.jpg?v=1734965040"},{"product_id":"early-joni-1963-1lp-limited-edition-clear-vinyl","title":"Early Joni - 1963 1LP Limited Edition Clear Vinyl","description":"\u003cp\u003e\u003cspan\u003eThis exclusive clear vinyl pressing is only available through the Joni Mitchell store and is a limited edition of 1,500 copies.\u003c\/span\u003e \u003c\/p\u003e\u003cp\u003eEARLY JONI – 1963 is a single LP on 180-gram vinyl. Like several of Mitchell’s past albums, the cover for EARLY JONI features a self-portrait and marks her first new art in many years. Barry Bowman was working as a DJ at radio station CFQC in 1963 and provides the liner notes for EARLY JONI.\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e\u003ca href=\"https:\/\/store.jonimitchell.com\/products\/early-joni-1963-1lp-180g-black-vinyl\"\u003e\u003cspan\u003eAlso Available On 180g Black Vinyl\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Joni Mitchell","offers":[{"title":"Default Title","offer_id":50819433201967,"sku":"081227905781","price":24.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/5988\/8175\/files\/jonimitchell_1lp_clear_4000x4000_576x576_aecb98ea-1e27-4e1f-9d13-601661df5f01.jpg?v=1734965044"},{"product_id":"the-asylum-albums-1972-1975-digital-download-1","title":"The Asylum Albums (1972-1975) [Digital Download]","description":"\u003cp\u003eJoni Mitchell was at a turning point 50 years ago. After making four acclaimed albums with Reprise Records, including her 1971 masterpiece Blue, she left the label to join the brand-new Asylum Records in 1972. Over the next seven years, Mitchell would record some of the most acclaimed music of her career while changing her musical direction by adding more jazz elements into her songwriting. The evolution culminated in 1979 with Mingus, her collaboration with jazz titan Charles Mingus, and her last studio album for Asylum.\u003cbr\u003e\r\n \u003cbr\u003e\r\nExplore the beginning of that prolific era with THE ASYLUM ALBUMS (1972-1975), the next installment in the Joni Mitchell Archives series. The collection features newly remastered versions of FOR THE ROSES (1972), COURT AND SPARK (1974), the double live album MILES OF AISLES (1974), and THE HISSING OF SUMMER LAWNS (1975). All four were recently remastered by Bernie Grundman.\u003cbr\u003e\r\n \u003cbr\u003e\r\nTHE ASYLUM ALBUMS (1972-1975) follows Mitchell’s musical evolution over four albums as she embraced more jazz-inspired pieces and moved away from the folk and pop of her early years. It includes essential tracks like her first Top 40 hit, “You Turn Me On, I’m A Radio” and her highest-charting (#7) single “Help Me,” plus favorites like “Free Man In Paris,” “Raised On Robbery” and “In France They Kiss On Main Street.”\u003cbr\u003e\r\n \u003cbr\u003e\r\nFOR THE ROSES, which was released 50 years ago this November, was certified gold and added to the Library of Congress’ National Recording Registry in 2007. Court And Spark topped the U.S. album chart and was certified double platinum, making it the best-selling album of Mitchell’s career. It was nominated for multiple Grammy Ò Awards, including Album of the Year, and won Best Arrangement Accompanying Vocalist for “Down To You.”\u003cbr\u003e\r\n \u003cbr\u003e\r\nMILES OF AISLES is a double live album that spotlights the tour for Court And Spark. It reached #2 on the album chart and was certified gold. The Hissing Of Summer Lawns was certified gold as well, peaking at #4 on the album chart and earning a Grammy Award nomination for Best Female Pop Vocal Performance.\u003c\/p\u003e","brand":"Joni Mitchell","offers":[{"title":"Default Title","offer_id":50819433398575,"sku":"081227852047","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/5988\/8175\/files\/Slipcase_20Cover_JoniMitchell_AsylumAlbums_1_CD_Cover_11ae4f96-97f7-46d5-9f3e-2d713a375266.jpg?v=1734965048"},{"product_id":"archives-vol-3-the-asylum-years-1972-1975-4lp","title":"Archives, Vol. 3: The Asylum Years (1972- 1975) (4LP)","description":"\u003cul\u003e\r\n\t\u003cli\u003e\u003cem\u003e\u003cstrong\u003eNever-Before-Heard Demos, Early \u0026amp; Alternate Versions of Classic Songs, Historical Performances\u003c\/strong\u003e\u003c\/em\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cem\u003e\u003cstrong\u003eBook Featuring Photos \u0026amp; Conversation With Joni \u0026amp; Cameron Crowe\u003c\/strong\u003e\u003c\/em\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cem\u003e\u003cstrong\u003eSessions With James Taylor, Neil Young \u0026amp; Tom Scott \u0026amp; the L.A. Express\u003c\/strong\u003e\u003c\/em\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eCome 1972, Joni’s singular songwriting talent and poetic gifts were undeniable. Fresh off the back-to-back Platinum-certified releases of 1970’s LADIES OF THE CANYON and 1971’s BLUE — totemic albums whose artfulness and ubiquity would influence generations of songwriters — Joni had grown wary of mounting media scrutiny. Everything from her style choices to romantic partners became the subject of far more gossip column inches than were ever dedicated to the lifestyle minutiae of her male counterparts. \u003c\/p\u003e\r\n\r\n\u003cp\u003eIn response, she had pulled back, announcing an early retirement from the stage in 1970 and moving to the quiet expanses of British Columbia’s Sunshine Coast. It was a fruitful change of scenery. Inspired by her proximity to nature and refreshed by the peaceful seclusion, she began constructing the songs that would become FOR THE ROSES. This respite thrust Mitchell into a remarkably fertile creative period, yielding a run of albums — 1972’s FOR THE ROSES, 1974’s COURT AND SPARK, and 1975’s THE HISSING OF SUMMER LAWNS — that would simultaneously expand and refine the scope of her music. Her adventurous, intricate arrangements and growing formidability as a bandleader injected these songs with a clarity of purpose, a potent muscularity, and a sense of possibility — it is among the most exciting eras of a near peerless career.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThis era comes into even greater focus on JONI MITCHELL ARCHIVES, VOL. 3: THE ASYLUM YEARS (1972-1975). It’s the latest entry in the GRAMMY-winning series exploring the vast untapped archives of rare Joni recordings — a project guided intimately by Joni's own vision and personal touch. The collection begins with an early cut of “Cold Blue Steel And Sweet Fire,” one of two songs (along with “For The Roses”) test-driven during a visit to a Graham Nash David Crosby recording session at Wally Heider’s in Hollywood.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFrom there, you'll be treated to early demos and alternate versions from sessions from FOR THE ROSES, COURT \u0026amp; SPARK, and THE HISSING OF SUMMER LAWNS; historic live show recordings, including the entirety of Mitchell’s triumphant 1972 return to Carnegie Hall and a definitive gig with her COURT AND SPARK backing band Tom Scott \u0026amp; the L.A. 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